Are you a new editor who prefers a simple layout that can perform pro functions without too much hassle? Then Final Cut may be your choice. So obviously, this is going to come down to personal preference when deciding between the two. Let’s go into what the current iteration of Final Cut has to offer you, as well as its drawbacks. Over the past decade, Apple put in a lot of work to try and grab back their corner of the market share. They released Final Cut X, which at the time cut out a lot of the features and recognizable UX that Final Cut 7 offered in the name of “innovation.” This angered a lot of editors, who suddenly and loudly moved over to Premiere to do their editing. But, in 2011, Apple execs made a bold choice. When I started out in my editing career way back in 2008, I first learned non-linear editing through Final Cut 7. It was even used as the chosen NLE for the Coen Brother’s production of True Grit. When Final Cut 7 was released in 2007 to compete with Avid Media Composer, it quickly became the indie darling NLE. Let’s dive in!įinal Cut has been either sitting comfortably on the top of the industry standard or slumped down in the lower rungs for the past two decades. Today, we are going to take a dive into each program, what strengths they have to offer, as well as the weaknesses they present. ![]() While the market share has lost its majority to NLE’s such as DaVinci Resolve and the industry titan Avid Media Composer, the overwhelming choice for your common editor will boil down to Adobe Premiere and Final Cut.īut who is right? Who is wrong? Well, as with all choices, it matters on what you use it for. The top market share position has ebbed and flowed between both programs due to updates on both sides of the aisle, and frequent shifts in what editors prefer at the time. It’s been the subject of heated bar debates and post-production meetups since the advent of the two programs - Final Cut or Premiere? Both Mac-heads and die-hard Adobe fans have battled it out for the better part of two decades with this argument. The Lumetri tool also supports 3D LUTs.Final Cut and Premiere Pro have been battling for the top spot in editors’ hearts for the past decade. It also has a few different layouts so that whatever software yor previously came from it will still feel familiar. ![]() The Lumetri color panel gives editors a huge amount of color manipulation and options to customize and create a variety of different looks and feels to your project. With a basic understanding of how to color correct and grade your footage you can dramatically enhance and bring your image to life. Premiere Pro also has a dedicated color correction workspace that you can customize completely to your workflow. You can adjust white balance, exposure, contrast, highlights, shadows, saturation, ects and all can be activated with keyframes. Their most impressive tool is the Lumetri color tool which offers a huge amount of color manipulation like HSL Qualifier which FCPX does not offer. They offer pro-level color correction tools with powerful features that editors can now access in their workspace where previously it was in a separate software. When it comes to color correction Premiere Pro definitely has more traction compared to not just Final Cut Pro but most other applications. You can create multiple control points allowing you to adjust each of the primary colors to a very specific point and gives an incredible insight to monitor your color usage. When using it you can adjust luma, red, green, and blue channels and also other colors by using the eyedropper tool. The color curves is another powerful but basic tool Final Cut and most other softwares provides. It is surprisingly powerful and intuitive making it a fast and easy tool to use. ![]() You can also separately adjust the brightness, saturation, shadows, midtones, or highlights for each wheel. It has control pucks in the center that allows you to move an image towards red, green, and blue. The color wheel is the classic, old-school way to digital color correction. This made it a game changer by adding color wheels, curves, hue/saturation curves, and support for LUTs. ![]() With this new update it greatly improved and expanded the tools and features of what Final Cut provided with color. Then on Dec 14th, 2017 Apple released Final Cut Pro X (10.4) a new version with the most significant changes being targeted towards color. Compared to a tradition color wheel the color board showed the same information but in a flat liner view as mentioned above. The only problem with this was if you have experience using photo editing or professional color correction applications it might feel quite foreign to you. The color board is a simple linear view of your color settings which makes it easy and intuitive for a first time user. Since the start of Final Cut Pro it has always included color correction by allowing the user to use a tool called the color board.
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